Revocation, Defeated Sanity, Fuming Mouth, Weeping

REVOCATION Revocation creates extreme music for extreme times. On New Gods, New Masters, their fifth record for Metal Blade, the quartet–spearheaded by founder/vocalist/guitarist Dave Davidson–delivers nine potent and portentous songs of brutal lyrical and musical significance. Produced by Davidson mixed and mastered by Jens Bogren (The Haunted, Spiritbox), tracks including “Cronenberged” (feat. Jonny Davy of Job for a Cowboy), “Sarcophagi of the Soul,” “Confines of Infinity” (feat. Travis Ryan of Cattle Decapitation) and “Dystopian Vermin” thematically explore AI and its impact on humanity. “I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity,” says Davidson, “whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.” To wit, “Cronenberged” is about a science experiment gone wrong. Davidson is a massive Sci-Fi horror fan who loves the body horror genre that David Cronenberg helped create; the song is an homage to that. And, Davidson adds, “Shout out to Rick and Morty for inspiring the song title.” The Boston-bred Davidson credits newest members Harry Lannon (rhythm guitar and backing vocals since 2023) and bassist Alex Weber with a renewed energy and intensity onstage. “It’s been a pleasure ripping with those guys alongside Ash (Pearson), who always crushes it behind the kit.” In terms of his playing, writing, and singing, “I’m always refining my craft and trying to get better,” he says. Davidson was excited to welcome a guitar guest—as well as impressive vocal features—on New Gods, New Masters. Revocation had late Black Dahlia Murder singer Trevor Strnad and Corpsegrinder of Cannibal Corpse guesting on Netherheaven, and Davidson recruited more talented peers for New Gods. “I’m honored to have such amazing guests on New Gods. On vocals we have Jonny Davy and Luc Lemay, two vocalists that I really admire who have their own unique sound,” says Davidson. “I remember texting with Jonny about guesting on “Cronenberged” asking him if we wanted to be the personification of a mutated abomination that escapes a testing facility. He was stoked to go as unhinged as possible and his vocals on that track sound truly inhuman.” A longtime fan of Gorguts’ Lemay, describing the Canadian singer’s vocals as “brutal but also tortured sounding at times. There’s a lot of emotion in his voice and that came through perfectly on the album closer ‘Buried Epoch.’” Slightly more unexpected is the contribution of jazz player Gilad Hekselman, who played with Pat Metheny at The Kennedy Center and won Rising Star in Downbeat Magazine, among numerous other accolades. He plays on “The All Seeing.” “Gilad is a buddy of mine and happens to be one of the best jazz guitarists in the world. His playing is awe-inspiring, and I’m truly honored to have him as the guest soloist on the outro of ‘The All Seeing.’” New Gods, New Masters marks the band’s 20th anniversary. Revocation debuted with 2008’s Empire of the Obscene and subsequently released seven critically acclaimed albums and toured over 25 countries, bringing their technically charged, high-energy extreme metal to North America, Europe, and Asia-Pacific. New Gods follows up 2022’s Netherheaven, where Davidson’s lyrics took hard looks at Catholicism, hypocrisy, politics, the occult and demonic symbolism. Critics raved about Netherheaven, calling it “ Revocation’s best record in a decade” and praising the “darkest, heaviest songs of their career.” That album set a high bar, but an even sharper musical and lyrical focus was achieved on New Gods, New Masters, which is deftly captured in the album artwork by Paolo Girardi. “He did an incredible job of bringing the lyrical themes of a bleak techno-nightmare to life,” Davidson says. “The ‘New God’ being birthed from the abyss of teeth and wires was even better than what I envisioned. I absolutely love the color palette he used. He even included some easter eggs from our first demo and first full-length album cover, which adds even more depth and meaning to the artwork for me.” Titling the album New Gods, New Masters reflects his belief about humans’ need to worship various gods. “It seems as if that desire is encoded in our DNA. As science and our understanding of nature and the universe as a whole, increases, the religions of the old gods start to become obsolete,” believes Davidson. “However, I believe we’ve replaced our old gods with new ones, worshipping technology and creating a cult-like idolatry of innovators.” Revocation, unafraid to upend musical and lyrical tropes with forward-thinking and sounding approach, with songs that excoriate society’s addiction to phones (‘Sarcophagi of the Soul”) and animal experiments that illuminate/replicate societal issues (“Dystopian Vermin”), Davidson’s science-backed observations all the more terrifying for their reality. If technological advances create worse problems alongside “solutions,” Revocation forge ahead, four guys plugged in, fighting existential threats with metal, “waiting to see what the next trial of the human experiment brings.” Music grounds and uplifts the band members—and fans. “I’m proud that I’ve been able to evolve as a musician and songwriter with every release. I never want to stagnate, and I think we’ve achieved real growth with every album,” says Davidson. “I’m also extremely proud that I’ve been able to keep this band going after all these years; it’s crazy to think of how far we’ve since the beginning.” Lineup: Dave Davidson: Vocals, Guitar Ash Pearson: Drums Harry Lannon: Rhythm Guitar Alex Weber: Bass DEFEATED SANITY Having almost 30 years of band history since their debut demo “Devoured By The Black” crafted by original members, father and son Wolfgang Teske and Lille Gruber, DEFEATED SANITY have gone on to become one of the most revered, consistent and influential bands in the world of Brutal Death Metal. Having spent some time on UK label Grindethic Records, where the band released the albums “Prelude to the Tragedy” and “Psalms Of The Moribund”, Defeated Sanity now reside with US label Willowtip Records, with whom they have released three critically acclaimed albums to date, namely “Chapters Of Repugnance”, “Passages Into Deformity”, and their latest split-concept album “Disposal of the Dead/Dharmata” showcasing the band’s musicianship and diversity with half of the release written in the style of Progressive Death Metal featuring vocalist Max Phelps (Cynic, Death To All), and the other half in the style of true Brutal Death Metal. Their 6th full length output “The Sanguinary Impetus” earned a spot in the Billboard charts, landing at #89 of Billboard’s “Current Album Sales” in its first week of release. With newest member guitarist Vaughn Stoffey the band then embarked on an extensive touring schedule spanning six continents over the following. FUMING MOUTH Fuming Mouth is an American death metal band formed in 2013 by Mark Whelan. Their debut full length album “The Grand Descent” was released in 2019 followed by their EP “Beyond the Tomb” in 2020. After a life-threatening battle with cancer, lead singer and guitarist Mark Whelan has returned to the band, cancer free, with their sophomore full length album “Last Day of Sun”. WEEPING DEPRESSIVE HOMICIDAL DEATH METAL